<?xml version="1.0" encoding="UTF-8" ?>
<?xml-stylesheet type="text/xsl" href="http://www.slate.com/discuss/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Poems</title><link>http://www.slate.com/discuss/forums/3333/ShowForum.aspx</link><description>Poems</description><dc:language>en</dc:language><generator>CommunityServer 2.1 SP2 (Build: 61120.2)</generator><item><title>Not at all what I had expected . .</title><link>http://www.slate.com/discuss/forums/thread/2964728.aspx</link><pubDate>Sun, 05 Jul 2009 15:40:51 GMT</pubDate><guid isPermaLink="false">8e55aff1-63ee-4857-a1e9-69fccb83d317:2964728</guid><dc:creator>denny</dc:creator><slash:comments>0</slash:comments><comments>http://www.slate.com/discuss/forums/thread/2964728.aspx</comments><wfw:commentRss>http://www.slate.com/discuss/forums/commentrss.aspx?SectionID=3333&amp;PostID=2964728</wfw:commentRss><description>&lt;P&gt;&lt;BR&gt;but certainly worth reading.&lt;/P&gt;
&lt;P&gt;&lt;STRONG&gt;d;-)&lt;BR&gt;&lt;BR&gt;&lt;/STRONG&gt;&lt;/P&gt;</description></item><item><title>Monk’s Last Night and Modigliani’s Lady</title><link>http://www.slate.com/discuss/forums/thread/2964559.aspx</link><pubDate>Sun, 05 Jul 2009 14:24:53 GMT</pubDate><guid isPermaLink="false">8e55aff1-63ee-4857-a1e9-69fccb83d317:2964559</guid><dc:creator>Ted Burke</dc:creator><slash:comments>1</slash:comments><comments>http://www.slate.com/discuss/forums/thread/2964559.aspx</comments><wfw:commentRss>http://www.slate.com/discuss/forums/commentrss.aspx?SectionID=3333&amp;PostID=2964559</wfw:commentRss><description>&lt;P&gt;&lt;B&gt;Monk’s Last Night and Modigliani’s Lady&lt;/B&gt;&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;Monk plays his last note&lt;/P&gt;
&lt;P&gt;on the last track on the &lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;last return to the bridge&lt;/P&gt;
&lt;P&gt;in “Off Minor”&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;and again  turn in   &lt;/P&gt;
&lt;P&gt;the chair in a big room&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;full of  computer parts&lt;/P&gt;
&lt;P&gt;too see exactly no one there,&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;only a print of long necked Modigliani lady&lt;/P&gt;
&lt;P&gt;tilting her head to the side,&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;as if coyly urging me to&lt;/P&gt;
&lt;P&gt;scream a little, play piano some more,&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;find another record&lt;/P&gt;
&lt;P&gt;to play and fill in the spaces&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;between the pages&lt;/P&gt;
&lt;P&gt;of the novels whose stories.&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;I imagine, confront their&lt;/P&gt;
&lt;P&gt;heroes with much the same&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;dilemma and the variety of solutions,&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;“It’s all or nothing&lt;/P&gt;
&lt;P&gt;and forever is a long time”&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;is what I hear myself mumbling?&lt;/P&gt;
&lt;P&gt;as I turn off all the machinery,&lt;/P&gt;
&lt;P&gt; pace the carpet with the cordless phone.&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;your number rings for the&lt;/P&gt;
&lt;P&gt;third time, and now the fourth,&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;there’s the fifth time, and&lt;/P&gt;
&lt;P&gt;nothing from that,&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;I put down the phone&lt;/P&gt;
&lt;P&gt;and pick up a work file,&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;a bunch of applications&lt;/P&gt;
&lt;P&gt;to be sorted through,&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;scrutinized, tortured with an &lt;/P&gt;
&lt;P&gt;eye that reads only bad news,&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;every question I ask is a set up,&lt;/P&gt;
&lt;P&gt;the trap door I’m leading&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;them toward, screams and&lt;/P&gt;
&lt;P&gt;whimpers follow as they fall&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;to the alligator pit, you didn’t want&lt;/P&gt;
&lt;P&gt; to work here really, did you,&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;and nothing’s been done &lt;/P&gt;
&lt;P&gt;about the space junk whose orbits are&lt;/P&gt;
&lt;P&gt;disintegrating, nothing has been detailed&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;about the lack of Limbo contests&lt;/P&gt;
&lt;P&gt;in Nova Scotia, the news that makes me&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;the sickest is that&lt;/P&gt;
&lt;P&gt;so few people remember &lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;Question Mark’s real name,&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;c’mon, you know,&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;that “96 Tears” guy.&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;remember?&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;Modigliani’s swan necked beauty&lt;/P&gt;
&lt;P&gt;still smiles, teases with sighs of&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;future nicknames, says in&lt;/P&gt;
&lt;P&gt;a language heard only&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;when the fever is high&lt;/P&gt;
&lt;P&gt;and the medicine primes you&lt;/P&gt;
&lt;P&gt;for the deep folds of slumber,&lt;/P&gt;
&lt;P&gt;“lie down and stop thinking for&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt;a spell, everything that hasn’t been done will&lt;/P&gt;
&lt;P&gt;be waiting for you when return …”&lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt; &lt;/P&gt;
&lt;P&gt; &lt;/P&gt;</description></item></channel></rss>