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Re: On the lighter aside
by Robert Pinsky SlateIcon

Bottomfish, thank you for following my suggestion that you read Teresa Cader’s post. You have enriched the broth!

if I understand correctly, the dispute between you and Teresa is about Genesis, rather than “Adam’s Curse” itself-- and, I suppose, the remote cultural undertones or vibrations associated with the moon. Misogyny in the poem itself is a kind of false trail, I think-- and not Teresa’s point if I understand it.

But I would like to overhear a debate between you and Teresa about Genesis! (What you say does seem to win your argument with Tony Barnstone about Shakespeare, etc.)

Mary Jo Bang provides a wonderful example of real, heavy-duty misogyny by a modernist! The Eliot lines, demonstrating again how much thanks TSE owes EP, remind me of Swift’s weird, brilliant and repulsive Lady’s Dressing Room poem and Lady Mary Wortley Montague’s scabrous and brilliant poem in reply to Swift. (I’ve thought of making those the occasion for a “Classic Poem” discussion -- but decided the whole thing was just too revolting!)

Like Teresa (eg, when she wonders how much floor-scrubbing WBY had ever done) and many others here, Mary Jo recognizes an element of superficiality in the conversation: laboring to be beautiful, etc.-- just the kind of things a semi-serious conversation like this might include. (I can picture engaging in one, this way, myself.)

What I think Teresa describes movingly is the “naked” words of the ending, how Yeats manages the transition to plain truth-- spoken in the poem, not in the conversation-- and makes it grow, somehow, of what has come before.

As Jim Powell says, “Adam’s Curse” is partly about “being polite, talking around things, keeping an emotional distance” . . . that’s what makes the revelation or discovery Teresa describes full of emotion for me. The movement from the external and sociable, to the skyscape, to the stripping-away of even high-grade chatter: that’s what strikes me: and I must say that my sense of a poem I know very well has been deepened and refreshed by the Poetry Fray's unusual bringing-together of readers’ voices-- web monikers and recognized names.

As MaryAnn has often pointed out, a unique forum.

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