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The Terminator
movie franchise is notable for its creation of one of the earliest
tough female action-hero characters: Sarah Connor, mother of John
Connor. In the later movies, her son becomes the leader of the
resistance to Skynet, the computer system that launched the war against
humans, but in the first two she plays a crucial role. In a sense,
she’s a Mary figure, the mother of the savior, but rather than cast a
vulnerable softie, James Cameron cast Linda Hamilton, tough girl. Who
can forget her biceps, or her famous chin-up scene? So I went to see Terminator: Salvation hoping to find more of the same gender complexity. Instead, this movie, directed by McG is as conventional as can be... (To read the rest of this post, visit our new website DoubleX.com!)
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More and more frequently, movie trailers
are better than the movies they're promoting. As they've become
increasingly adept at short-handing a feature-length plot, and
increasingly unconcerned about revealing all the elements of said plot,
they play like accelerated shorts, complete with a story arc and
emotional climax, ruining plot twists and funny-the-first-time-you
hear-them jokes. They're trailers for people who hate surprises.
David Edelstein, in his New York review of the new Terminator film (aka, the film where Christian Bale lost his shit), demurs from revealing... (To read the rest of this post, visit our new website DoubleX.com!)
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Willa, I haven’t yet seen 17 Again, but after reading you on it, I want to. Not because the movie looks particularly enticing (the mere notion of Zac Efron aging into Matthew Perry is depressing beyond belief), but because I'm interested in the way it folds time travel and body-switching into a narrative of teen pregnancy. Time-travel plots are, of course, always about the fantasy of going back and changing the present by doing things differently in the past. It's worth noting, too, that those fantasies often involve motherhood or the possibility of a child: Keep Sarah Connor alive so her unborn son can lead the revolution! Ew, Marty McFly, don’t make out with your own future mom!
Yet even though this movie explicitly sets up the fact that Zac’s character is unhappy in his adult life because of the choices he made as a teen (ie, unprotected sex, having the child, marrying the girl), it sounds like those choices are ultimately affirmed in a feel-good ending. Even if he had the power to turn back time, Zac loves his family so much he wouldn’t have donned that condom. Everyone who’s already a parent gets the paradox of that logic: Once your child exists, it's hard to imagine a world without him. But for crushed-out adolescent girls not long on foresight, there’s a thin line between “Now that my unplanned-for child is here, I’d do anything for her,” and “Woo hoo, let’s make babies with Zac Efron!” The fuzzy-brained hypocrisy of the scene you describe, in which the body-switched Zac recommends abstinence over condoms to a group of high-schoolers including his own daughter, makes Bristol Palin sound like a savvy life coach by comparison. In her words: “Everyone should be abstinent or whatever, but it’s not realistic at all.”
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